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臺灣工藝百年進行式(1)-工藝導讀操作手冊(台語導覽)

國立臺灣工藝研究發展中心影音平臺

#臺灣工藝百年進行式特展～分段影片(1.工藝導讀操作手冊)(台語版) 這是一個以工藝為主體，由時間的概念、觀看、感知，直入臺灣工藝的展覽。 1920年《臺灣通史》出版，「工藝」首度成志。以百年為尺度，我們清楚看見工藝的模樣：是這塊土地上日常所生成的美、是人們豐富交流所煥發的活潑創意、是製作不歇的身影所凝聚的精神厚度，也是永遠迎向環境挑戰開創的勇氣。臺灣工藝，百年前已呈現虹彩般的光譜，此時此刻，我們習慣歸諸於傳統的，其實也和我們以為最新穎的，同樣屬於「現在」的一部分。這百年來，臺灣工藝所保有的多樣性，正是讓我們擁有能夠選擇的自由、面向未來的豐厚資本。於是，這個展覽並非意圖呈現一段線性發展的工藝史，而是希望透過百年的梳理，看見臺灣工藝滾動、累積並自我再生的特質。百年工藝，是個進行式。

臺灣工藝百年進行式(4)-山中公對臺灣漆藝的影響(華語導覽)

國立臺灣工藝研究發展中心影音平臺
#臺灣工藝百年進行式特展～分段影片(4.山中公對臺灣漆藝的影響)(華語版) 這是一個以工藝為主體，由時間的概念、觀看、感知，直入臺灣工藝的展覽。 1920年《臺灣通史》出版，「工藝」首度成志。以百年為尺度，我們清楚看見工藝的模樣：是這塊土地上日常所生成的美、是人們豐富交流所煥發的活潑創意、是製作不歇的身影所凝聚的精神厚度，也是永遠迎向環境挑戰開創的勇氣。臺灣工藝，百年前已呈現虹彩般的光譜，此時此刻，我們習慣歸諸於傳統的，其實也和我們以為最新穎的，同樣屬於「現在」的一部分。這百年來，臺灣工藝所保有的多樣性，正是讓我們擁有能夠選擇的自由、面向未來的豐厚資本。於是，這個展覽並非意圖呈現一段線性發展的工藝史，而是希望透過百年的梳理，看見臺灣工藝滾動、累積並自我再生的特質。百年工藝，是個進行式。

Chen Wen-Hsiung(陳文雄) Oral History (Eng sub, short version)

國家人權博物館

Born on April 13, 1936, in Taoyuan. On September 30, 1978, he was arrested at home due to his involvement in the Wu Tai-An's case and taken to the Ankang Reception House of the Investigation Bureau for interrogations. On April 16, 1979, he was sentenced to 10 years and deprived of civil rights for 5 years. He was detained at Green Island Correction Prison of the Ministry of Defense and later Ren'Ai Education Center. He was released on parole on January 20, 1987.

Chen Chin-tsai(陳進財) Oral History (Eng sub)

國家人權博物館

Chen Chin-tsai Born in Changhua in 1929, he went to Japan as a naval worker when he was young and obtained a high school diploma. At the age of 22, he was implicated in the case of “Taiwan Democratic Self-government League, Chen Tsuan-ti and others case” and was sentenced to 10 years in prison. While being imprisoned in the Green Island “New Life Correction Center”, he was elected as a “mess council member”, and was involved in the "Green Island Re-rebellion Case", Although he was eventually proved to be innocent, he was badly tortured and starved during the interrogation. After being released in 1960, he devoted himself to his family business and never mentioned his experience in prison. It wasn't until his 85th birthday that he solemnly told his family and younger people about his suffering those 10 years.

Chen Chin-tsai(陳進財) Oral History (Eng sub, short version)

國家人權博物館

Chiu Yi-feng(邱一峰) Oral History (Eng sub, short version)

國家人權博物館

Chiu Yi-feng(邱一峰) Originally named Chiu Wai-lai. Born in Yilan in 1940, he once served as a prison warden. When he was in the Navy, he was accused of discussing the plot of the movie " Mutiny on the Bounty” with colleagues. He was arrested for getting involved in the “Navy ship Li-jiang, Chiu Wan-lai and others case” and was sentenced to 15 years in prison. He appealed and was sentenced to death in the second trial, appeals again and was sentenced to life imprisonment in the third instance. In 1975, due to the death of Chiang Kai-shek, his sentence was reduced to 15 years and he was released in 1978. He continued to participate in opposition political movements and elected Neighborhood representative. He believes that transitional justice should also hold the perpetrators accountable, and hopes that Taiwanese people will not forget the efforts of their predecessors who had risked their lives to cross the Taiwan Strait to Taiwan.

113年「璞玉發光-全國藝術行銷活動」璞玉獎林瑋詩 (十分鐘版)

國立新竹生活美學館

作品延伸自「練山河」系列。「練山河」系列是將家鄉的山景以寫實的手法微縮在盆器中的系列創作，其展現的形式就是盆景畫。筆者試圖找出以盆景的形式對家鄉的山景進行微縮化的原因，初步可歸因於筆者身為歸鄉人對家鄉風景的再認識，以及對盆景微縮自然樣態這個形式的著迷。盆景微縮自然的藝術形式源自於東方，是一種以人工思維模仿自然的方式，以寓大於小的手法表現自然的意境與山水林木的縮影，盆景文化延續至今，顯示出人類對自然的嚮往與親近。而筆者將此嚮往與親近之情投射於家鄉風景，並以盆景畫的形式表現出來。

臺灣工藝百年進行式(1)-工藝導讀操作手冊(台語導覽)

臺灣工藝百年進行式(4)-山中公對臺灣漆藝的影響(華語導覽)

Chen Wen-Hsiung(陳文雄) Oral History (Eng sub, short version)

Chen Chin-tsai(陳進財) Oral History (Eng sub)

Chen Chin-tsai(陳進財) Oral History (Eng sub, short version)

Chiu Yi-feng(邱一峰) Oral History (Eng sub, short version)

113年「璞玉發光-全國藝術行銷活動」璞玉獎 林瑋詩 (十分鐘版)

「2024發新穎-南部地方創生飲食產業展覽」開幕影片（短版）

113年「璞玉發光-全國藝術行銷活動」璞玉獎林瑋詩 (十分鐘版)