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頂真傳義-2019年國家工藝成就獎得獎者葉經義先生紀錄片
00:50:04

頂真傳義-2019年國家工藝成就獎得獎者葉經義先生紀錄片

  • 國立臺灣工藝研究發展中心影音平臺
  • 本紀錄片旨在紀錄「2019年國家工藝成就獎」得獎者-葉經義先生的木雕創作人生。片中描述葉老師之生平、學習經歷、創作歷程及對於工藝的具體成就等等,讓社會大眾對於葉老師有更多的認識。 葉經義老師在15歲時,於高雄文武聖殿拜泉州蘇水欽為師,自幼聰慧好學,從鑿花師傅到人間國寶,有艱困也有光彩,有付出也有掌聲。葉老師的成就,不單只是展演傳統工藝的絢爛奪目,更堅持工藝最根本的頂真精神,近七十年的木雕人生,一路行來始終不變。 This documentary film aims to record the woodcarving life of Mr. Yeh, Ching-Yi, the winner of 2019 National Crafts Achievement Award. In the film, Mr. Yeh’s life stories, educational background, creative experiences and achievements of craft are richly included, which provide a good access for the public to know his artistic woodcarving works. When Mr. Yeh, Ching-Yi was 15 years old, He became an apprentice of Su, Shui-Qin of Wen-Wu Temple in Kaohsiung. Mr. Yeh is very talented as well as being a quick learner since he was a child. From a scabbling master to a national treasure, there have been difficulties and glories, and there also have been giving and applauses. What Mr. Yeh, Ching-Yi has achieved is not only about the glamour manifesting our traditional craft, but also the insistence on the fundamental earnest spirit for the art and craft. For devoting almost 70 years of his life to woodcarving, he always sticks to his ground and never changes.
觀看次數174
國立臺灣工藝研究發展中心影音平臺 上傳
Formosa: A New Layer Taiwan meets Yii at Révélations Biennial
00:02:25

Formosa: A New Layer Taiwan meets Yii at Révélations Biennial

  • 國立臺灣工藝研究發展中心影音平臺
  • Formosa: A New Layer Taiwan meets Yii is a retrospective exhibition of a decade of local and international craft, art and design collaborations with Taiwan, supported by the Taiwanese Cultural Center in Paris, the NTCRI (National Taiwanese Craft Research and Development Institute), the Taiwanese Ministry of Culture and Spazio Nobile / Pro Materia. In collaboration with: Lobmeyr (AT), Lyngby Porcelæn (DK), Thalie Lab (BE). Formosa: A New Layer Taiwan refers to the ‘Beautiful Island’ (at the time of the Ilha Formosa when the island was occupied by the Portuguese in the middle of the 16th century). It bridges Eastern and Western cultures. This forest-cloaked land that is Taiwan has a strong character and its crafts and qualities are very specific, unique and distinctive including some strong in nuances from various cultures such as the ones of the Dutch, the Chinese and the Japanese. Formosa is a title which embraces history, culture, art and design, and the island as a place for creation, including rich dialogues, exchanges and explorations of creative craft and design from here and abroad. What Yii did in this myth for all China and Taiwan, the modern Taoist priest, still does it for the local community: he recycles the “old energy” (ku- ch’i), and so gives the community a new breath. It is often called the “three virtualities” (san-ts’ai), which refers to the cultural triad of heaven, earth, and man. Formosa Collection at Révélations Biennial National Taiwan Craft Research and Development Institute/ the Taiwanese Cultural Center in Paris /Spazio Nobile / Pro Materia invite you to Révélations, International Fine Craft & Creation Biennal /Biennale internationale des Métiers d’art et création from 23 until 26 May 2019 at Grand Palais in Paris, France. Art Director: Lise Coirier, Pro Materia Scenography: Rain Wu Photos and Videos: Yen-An Chen Artists and Designers : Anton Alvarez (CL-SE), Carina Seth Andersson (SE), BCXSY (IS-NL-JP), Gabriella Gustafson & Mattias Ståhlbom - TAF Architects (SE), Sebastian Herkner (DE), Matti Klenell (SE), Jin Kuramoto (JP), Chen-Hsu Liu (TW), Idee Liu (TW), Stina Löfgren (SE), Wonmin Park (KO), Poetic Lab (TW), Julie Richoz (FR-CH), Richu Lacquer Art (TW), Cheng Tsung Feng (TW), Rock Wang (TW), Li-Hsin Wang (TW), Pili Wu (TW), Rain Wu (TW) Taiwanese craftsmen: Chin-Tuan Chiu, Ming-Zong Chen, Clay+art & craft co, Kao-Ming Chen, Chin-Mei Huang, Pei-Tse Chen, Mao-Hui Chen, Kung Wen-Yi, Jian-Cheng Lin, Hsing-Tse Liu, Wu Xing Ceramic Art Studio, Ban Tao Yao,Ming-An Wu, Shu-Fa Wu, Zhongyi Industry Co., Ltd., Tsun-Jen Lee
觀看次數173
國立臺灣工藝研究發展中心影音平臺 上傳
「常/變:斜槓的萬華鏡」特展
01:10:29

「常/變:斜槓的萬華鏡」特展

  • 國立臺灣工藝研究發展中心影音平臺
  • 斜槓一詞雖然來自職涯規劃的趨勢描述,但其實,藝術潛在的特質就是一種共構的多元性,每一種藝術都是開啟另一種藝術的門徑,有互通共感也有區隔別異。往往彼此間拉開的距離就是可以相互滲透跨越的契機。 工藝中心與策展人楊偉林將在本展中,引領我們看見有形或無形的斜槓的兩端: 其一端,是工藝的日常性,是使用者的日常,是創作者日積月累的常課; 這個常也可以是創作者創作以外的日常,是面對社會的另一種姿態或能力。另一端是變,是這常態中的轉折、變奏與加減乘除。這兩端也許顯現在時間的先後,也許表現在材質的雙重乃至多重,也許是社會角色的互換進退。但是它們最終形構了一個完整的創作者姿態。 原點是常,擴散則變。 生活是常,冒險則變。 順向是常,逆轉則變。 同質是常,異質則變。 專業是常,跨界則變。 守恆是常,趨勢則變。 求道是常,無理則變。 ===================================== 「常/變:斜槓的萬華鏡」特展 ※展期:2020/11/5-2021/4/5 ※開放:週二至週日及國定假日 9:00-17:00 ※地點:國立臺灣工藝研究發展中心-工藝文化館 (南投縣草屯鎮中正路573號) ※網址:https://reurl.cc/WLNpVL
觀看次數171
國立臺灣工藝研究發展中心影音平臺 上傳
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