佛漢威廉斯的《塔利斯主題幻想曲》，是作曲家以十六世紀英國都鐸王朝作曲家塔利斯的聖歌旋律為主題、分成三個演奏群的弦樂團，創作出3D多維空間音響的作品，被譽為二十世紀偉大的弦樂合奏曲。浮現人生小確幸的馬勒《第四號交響曲》，體現對於天堂愉快生活的想像，明朗而平易近人的結構與曲風，讓它成為聽眾一聽就喜愛的馬勒交響曲。1944年出生於莫斯科的魯比莫夫，是今日最具有獨創性的傑出鋼琴家之一。他的曲目廣泛，曾經為許多20世紀作品進行俄國首演，對音樂的奉獻與熱情，也讓他在鋼琴界中占有不可抹滅的地位，他所擔任獨奏的斯特拉溫斯基《給鋼琴與管樂的協奏曲》，是作曲家以新古典主義概念創作，充滿著巧思創意與技巧挑戰的精彩作品。

Vaughan Williams used the melody of a hymn written by English composer Thomas Tallis in the 16th century as the main theme in his own composition, Fantasia on a Theme by Thomas Tallis. The piece is performed by an orchestra divided into three clusters in order to deliver 3D acoustics and is lauded as the greatest work for orchestra in the 20th century.
Mahler’s Symphony No.4 in G Major serves little portions of happiness through its depiction of the joyful life in heaven. This symphony is quite popular among the audience as it presents an unassuming structure and style.
Born in Moscow in 1944, Lubimov is one of the most innovative pianists of our time. He has an impressive repertoire, and has premiered many 20th century compositions in Russia. Fervently devoted to music, Lubimov has made his mark in the world of pianists. In this concert, Lubimov presents his interpretation of Stravinsky’s Concerto for Piano and Wind Instruments, a masterpiece written with the concept of neoclassicism and filled with novelty and technical challenges.

指揮／陳美安